Dior’s Gothic Fairytale: Kilts, Lace, and Unicorns
Picture this: Dior decides to ditch Paris for Scotland, and not just any part of Scotland, but the lush Drummond Castle Gardens. Talk about leveling up! This 2025 cruise collection was like something out of a romantic, dark fairytale. We’re talking kilts, black leather gloves, and those medieval unicorn tapestries that Maria Grazia Chiuri is obsessed with. Yeah, it was extra.
Back in Time: Dior’s Scottish Flashback
Okay, so last time Dior did a gig in Scotland was like 70 years ago, back in 1955 at Gleneagles Hotel. This time around, it was all about paying tribute to Scotland’s heritage, but with a twist. Dior wanted to keep their old-school vibes alive while giving them a modern spin. They pulled off 89 looks that screamed, “Past meets future, and it’s gonna be poetic.” Inspired by Clare Hunter’s book about Mary, Queen of Scots, Chiuri brought back those classic Dior silhouettes but made them look like they were meant for today’s royal rebels.
Modern-Day Queen Vibes
Imagine Mary Stuart, but make her 2025 chic. Chiuri took gowns and skirts and gave them a makeover fit for a queen who’s living her best life in the modern world. And there were throwbacks to Monsieur Dior too, with black and white pics from his 1955 show splashed across coats and tops. It was like a history lesson, but make it fashion.
Romance and Gothic Drama: The Ultimate Combo
Fashion has been thirsty for some romance, and Chiuri delivered. Picture sheer lace mixed with leather corsets and choker necklaces. Floor-length gowns sweeping down castle stairs. So extra. There were long black checkered dresses, traditional bags, and boots that meant business. If it wasn’t all white and dreamy, it was dark and gothic. Think tartan, sculptural skirts, medieval puff sleeves, black lace, and belts that could double as weapons. It was like Chiuri showed us her secret goth side, and we were here for it.
Tartan Punk Rock: A Fashion Riot
The show kicked off with royal purple and black tartans twisted into punk dresses and skirts. Then came the scarlet tartans, strutted in mini dresses with sleeves that could double as wings. Chiuri loves throwing feminist slogans on clothes, and this time was no different. Words like “nag,” “emotional,” “bossy,” and “hysterical” were stitched in like traditional samplers. Talk about a mic drop in fashion form.
Maximalist Madness: Accessory Overload
If you thought the clothes were wild, the accessories took it up a notch. Pearl chokers, pearls in hair, belts, harnesses, hoods, bracelets, and bags that looked like they were from a fairy tale. Models rocked berets, veils, and even argyle knee socks. It was like a maximalist’s dream come true, and we couldn’t get enough.
Contrasts Galore: Mixing Heavy and Sheer
Juxtaposition was the name of the game. Heavy coats paired with sheer looks, unzipped leather jackets with flowing dresses, high-low cuts with trains, and lace inset dresses with pearl-netted veils. It was a blend of romantic and dark that just worked. Scottish designer Samantha McCoach from Le Kilt collaborated on the kilts, and local materials like Harris Tweed and Esk Cashmere added authenticity. Even Scottish label Robert Mackie pitched in with ceremonial headpieces.
Epic Finale: Bagpipers and All
The show ended in the most Scottish way possible. Bagpipers in traditional outfits marched down the garden runway, playing moody tunes that gave everyone chills. It was the perfect way to wrap up a show that felt like a celebration of everything Scottish, with a dash of Dior magic.
So, Dior’s Scottish adventure was more than just a fashion show—it was a whole vibe. By mixing romance, gothic elements, and Scottish heritage, Maria Grazia Chiuri created a collection that was both nostalgic and futuristic. And we’re still not over it.
Also Read: Anya Taylor-Joy Stuns in a Golden Dior Gown at Cannes 2024
